White like me
Part 2 - The invention of whiteness
by Ellen Barry
A long, long time ago, when "queer" still meant "strange" and the canon could
be invoked without invisible quotation marks, race was taught as a biological
fact and slavery as a polyp on American history. It wasn't until the 1970s that
revisionist historians got their hands on what Edmund Morgan dubbed the
"American Paradox" -- that the American ideal of freedom could not have been
extended to poor whites without the institution of slavery.
As radical as that seemed in the mid 1970s, Morgan and his peers were
retreading ground covered long before by black writers such as W.E.B. Du Bois
and James Baldwin. This time, though, the race-based reading of history was at
the center of debate among white academics as well. Their fundamental assertion
was that race itself was invented to justify slavery. Previous cultures
certainly recognized ethnicity, but color was not always a dividing line;
"whites" like the Greeks mixed freely with "blacks" like the Ethiopians.
Ignatiev put it this way: "People from Africa were not enslaved because
they were black; they were defined as black because they were enslaved."
Scholars then picked up the "invention of race" idea and applied it to the
history of the American white working class, a group that had generally been
regarded through the sympathetic lens of labor history. Here, too, Du Bois had
laid the groundwork. In his 1935 book Black Reconstruction, Du Bois had
written of white workers who "everywhere received a low wage [but were]
compensated in part . . . by a public and psychological wage."
That wage was being white. David Roediger revived that theory in his 1991 book
The Wages of Whiteness: Race and the Making of the American Working
Class (Verso), and then, in 1995, Ignatiev's How the Irish Became
White picked up the same thread, telling the story of how Irish immigrants,
"in becoming White, ceased to be Green."
In the country they left, Irish Catholics had been an underclass -- barred
from voting, running for office, or going into the law or the military.
Catholic taxes went to the Protestant church, and Catholic orphans were brought
up Protestant. When the first wave of immigration began, America did not offer
much immediate relief; in the South, Irish workers were sometimes hired for
work so dangerous that it wasn't worth risking a slave's life. Blacks were
sometimes referred to as "smoked Irish," and the Irish as "niggers turned
inside out."
How the Irish Became White examined how white workers used race
to put distance between themselves and the blacks they mingled with, thereby
ensuring themselves a better spot in society. This, Ignatiev proposes, is why
the Irish, who had a long tradition of opposing slavery at home, never rose to
the abolitionist cause, and in fact became virulent racists. The sharper the
distinction between whites and blacks, the safer they were.
According to this analysis, white identity means nothing but the privilege of
not being black.
"Whiteness is not merely empty and false. It's pernicious," says Ignatiev.
"It's a terrifying effort to build an identity based on what is not."
Roediger's and Ignatiev's work on whiteness began to percolate through history
departments all over the country. But even as the pioneers of a new reading of
history, they were teetering on an uncomfortable precipice -- their
scholarship analyzed the evolution of a category that they felt should not
exist. Having established that, these scholars were ready to leave "white
culture" alone. It's not there. End of discussion.
"I don't want to give the slightest bit of validity to the idea that there is
some kind of ethnic category as `white,' " says Ignatiev. "That comes very
close to the concept of white supremacists and white nationalists and people
like that. Now, I understand that most people in white studies are opposed to
all that. Yet they are playing into their hands."
By the time the historians came to that conclusion, though, it was too late.
The Great White Hype, as the Minnesota Review termed it, was off the
ground.
Ellen Barry can be reached at ebarry@phx.com.