In memoriam
Ben Orr, 1947-2000
by Brett Milano
You can't imagine Boston rock history without the Cars, and you can't imagine
the Cars without Ben Orr. The singer on "Drive" and "Just What I Needed," among
other hits, Orr had the most recognizable voice in a band that came to define
its era. So the singer/bassist's death from pancreatic cancer last week puts
the unofficial capper on a period of local history that never seemed all that
long ago.
Orr, who was 53, grew up in Cleveland and began performing as a teenager,
fronting the house band in a local American Bandstand spinoff. By 1973,
he'd teamed up with singer/songwriter Ric Ocasek to form Milkwood, a hippie-ish
acoustic duo that made one long album. The pair soon moved to Boston and formed
a couple of prototype bands, Cap'n Swing and Richard & the Rabbits (whose
name was provided by Jonathan Richman), before the familiar Cars line-up
emerged in 1978.
Nobody needs reminding how big the Cars were: there are still enough bands in
town who'll liven up a set by sneaking in a Cars cover. But the band pulled a
small coup by uniting the visual style and cool cynicism of underground rock
with a mainstream act's mastery of hooks and arrangements. They made a splash
on commercial radio within a year of headlining the Rat and the Paradise. And
they couldn't have pulled off the mix without a charismatic figure like Orr.
Ocasek may have written the songs and given the band its intrigue, but Orr was
the natural rock star who gave the band its sexiness. And it's worth noting
that, while Ocasek maintains a solo and production career, Orr was the one
ex-Car to score a major solo hit, with "Stay the Night."
Orr stayed in Boston for a few years after the Cars' break-up in 1987, playing
the clubs with his own band (whose keyboardist, Igor Khoroshev, went on to join
Yes). His last local show was a Children's Hospital benefit at the Paradise
just last year. But it's no secret that there was bad blood between Orr and
Ocasek toward the end of the Cars, and it endured long enough to keep them from
ever performing together again.
The Cars' only reunion happened in secret two months ago, when they came
together in Orr's adopted home of Atlanta to be interviewed for a Rhino DVD
scheduled for release next month. (Taken mainly from a 1979 German TV concert,
the disc should trash the myth that the Cars weren't a good live band.) Thanks
to an association with the band and with Rhino, I was called in to conduct that
interview; the seriousness of the occasion soon became evident. Accompanied by
his girlfriend, Orr was distressingly thin and confined to a wheelchair.
Regrets were expressed by all Orr's bandmates that it took an imminent loss to
bring them back together.
But when the cameras rolled, the band members were back in their old roles
again -- Ocasek as the sly and cynical one; keyboardist Greg Hawkes as the
brainy one; drummer David Robinson as the quiet one; guitarist Elliot Easton as
the inveterate rocker. And despite his compromised health, Orr again exuded the
cool of a natural rock star. He good-naturedly brushed off a question about his
standing as the group's sexy one -- "Everybody looks three times more
attractive on stage," he noted -- but his pride in the band's accomplishments
was evident at every turn.
It was especially good to see that the old hatchets had finally been buried. At
one point, Ocasek, who sang about half the songs he wrote for the Cars, was
asked how vocals were divided between the two lead singers. "That's easy," he
replied. "Whenever I wrote something that called for a real singer, we just
gave it to Ben."